Even if some of these seem bizarre or outlandish, I am including them because I've witnessed them occur several times and/or heard stories from other women about these things happening perpetually.
Tuesday, August 25, 2015
19 Practical Steps You Can Take to Making Your Workplace Better for Women
Inspired by 35 Practical Steps Men Can Take to Support Feminism, here are some practical steps men and women can take (and are taking) to make the workplace better for women that go beyond the obvious of don't touch, harass, or sexually harass them.
Even if some of these seem bizarre or outlandish, I am including them because I've witnessed them occur several times and/or heard stories from other women about these things happening perpetually.
Even if some of these seem bizarre or outlandish, I am including them because I've witnessed them occur several times and/or heard stories from other women about these things happening perpetually.
Labels:
labor,
sexism,
workplace,
workplace discrimination
Friday, August 21, 2015
White Feminism & Race
Intersectionality is the new buzzword and it rocks.
Intersectionality is a concept often used in critical theories to describe the ways in which oppressive institutions (racism, sexism, homophobia, transphobia, ableism, xenophobia, classism, etc.) are interconnected and cannot be examined separately from one another.While feminism can intersect with any of the above, an impassioned essay entitled "The Charleston Imperative: Why Feminism & Antiracism Must Be Linked" focuses the above definition to the modern intersection of race and feminism. It reads:
We must recognize, at last, that racial violence, including the cycle of suffering and slow death that hovers over Black communities, is structural as well as individual. Equally significant, racial violence has never been focused on males alone....
Feminists must denounce the use of white insecurity -- whether in relation to white womanhood, white neighborhoods, white politics, or white wealth -- to justify the brutal assaults against Black people of all genders. Antiracists must acknowledge that patriarchy has long been a weapon of racism and cannot sit comfortably in any politic of racial transformation. We must all stand against both the continual, systematic and structural racial inequities that normalize daily violence as well as against extreme acts of racial terror. Policy, and movement responses that fail to reflect an intersectional approach are doomed to fail.If you'd like a less academic definition and a great description of what I mean by "white feminist" (which is not synonymous with a feminist who is white), watch Huffington Post/Now This News's video clip.
Meanwhile, Danielle Fuentes Morgan details an example of her interactions with the racist patriarchy in her piece entitled "WE ALREADY KNOW: WHITE LIBERAL RACISM DENIES BLACK PERSONHOOD." She aptly describes the type of discrimination and bias that she encounters on a daily basis, even in a quiet location like a waiting room.
This man decided I was too stupid to know who Bernie Sanders was (or at least how important he should be to me, as the token Black person in the room), that his ill-advised ramblings were sufficient to inform me, and that I was obligated to stop what I was doing to listen to him. He didn’t address anyone else in the waiting room. Just me. And no one said a word in my defense...
My daughter’s face flashed before my eyes, in a split second, and I left. I allowed myself to be disrespected to keep my family and myself safe. I sacrificed my dignity in an effort to protect my life. I am struck even now by the fact that I left without my personhood respected to save my physical person. These are the choices people of color have to grapple with every day. I was able to choose to leave. Sandra Bland was not afforded that option.Honestly, this is an experience I most likely would not encounter. However, what gets me (as a white female) is that she experienced this all this shame by herself. Her adversary no doubt felt victorious; he sure educated her. Where was her support? Where are the modern day feminists to point out what an ass that guy was? Are the predominately white women that are currently front lining the feminist movement (Emma Watson, Sheryl Sandberg, Meryl Streep) helping to advocate for all the non-white women out there in ways that are appropriate to each women's situation?
Anne Thériault from over at Medium and The Belle Jar is not so sure. In her piece called "Shit White Feminists Need To Stop Doing" she ends with:
5. Arguing That All Other Forms Of Oppression Are Over So We Need to Focus On WomenHere is her complete list. You should check out the descriptions that follow each item as well. They might be biting, but her comments deserve some thought.
I’M LOOKING AT YOU, ARQUETTE.
Look, I know that her Oscar speech has been critiqued and analyzed to death, so I won’t dwell on this too much, but — come the fuck on. First of all, saying that we need “all the gay people and people of colour that we’ve all fought for to fight for us now” kind of insinuates that none of those gay people or people of colour are women, no? Second of all, literally read a book or something because racism and homophobia and transphobia are far from over. Third of all, you are a white woman who has benefited from enormous privilege her entire life. You don’t get to tell other marginalized groups what to do.
1. Believing Their Experiences of Marginalization Are UniversalThériault talks about how most white feminists mean well. While that is wonderful, it can be damaging. By not being "intersectional," white feminists run the risk of being exclusive. Women of different races, sexual orientation, cultural backgrounds etc. will not see feminism as a safe place...feminism is not really on their side. What is the point of non-inclusive feminism that does not support the women who would benefit most from a connected, unified community?
2. Crying About How We’re All On The Same Team
3. Talking About Hijabs (Or Burqas, Or Sex-Selective Abortion, Or Anything, Really)
4. Thinking That All Sex Workers Are All Miserable Wretches Who Hate Their Lives
5. Arguing That All Other Forms Of Oppression Are Over So We Need to Focus On Women
Some of the articles about white feminists (like the HuffPost vid) use the phrase "white feminists need to shut the fuck up," and I noted that some commenters are whining about feeling silenced. Obviously, complete silencing is not the point. However, it is a little hard to hear what other people are saying when you are constantly using your mouthpiece. White women (myself included) should make an effort to throw the spotlight onto some of these intertwined topics and women who are dealing with multiple forms of discrimination. Piper Kerman of Orange is the New Black is a great example of a feminist who has used her white privilege to bring the criminal justice system and the women it entraps into everyday discussion.
However, I think Gloria Steinem provides the best example.
"When asked what she’d say to the women of color who don’t feel that the feminist movement includes them or is about them, she says “I wouldn’t say anything, I’d listen.”
Friday, August 7, 2015
Do What You Love?
I was planning to write a long piece about contraception as a vehicle for economic opportunity, but found the recent vitriol swirling around this topic too depressing. Instead, I will leave you with a thought provoking article I came across this morning.
"In the Name of Love" challenges our current "do what you love" mantra regarding work, arguing that a) this privileged perspective dehumanizes the vast majority of people who do our necessary but generally unlovable work, and b) enables the capitalist system to exploit workers by leveraging the passion-means-more-than-compensation ethos. The author also notes how this dynamic particularly harms women:
"In the Name of Love" challenges our current "do what you love" mantra regarding work, arguing that a) this privileged perspective dehumanizes the vast majority of people who do our necessary but generally unlovable work, and b) enables the capitalist system to exploit workers by leveraging the passion-means-more-than-compensation ethos. The author also notes how this dynamic particularly harms women:
"Yet another damaging consequence of DWYL is how ruthlessly it works to extract female labor for little or no compensation. Women comprise the majority of the low-wage or unpaid workforce; as care workers, adjunct faculty, and unpaid interns, they outnumber men. What unites all of this work, whether performed by GEDs or PhDs, is the belief that wages shouldn’t be the primary motivation for doing it. Women are supposed to do work because they are natural nurturers and are eager to please; after all they’ve been doing uncompensated childcare, elder care, and housework since time immemorial. And talking money is unladylike anyway."
I will admit to being shocked by this revelation at first. I guess I'd bought into the Do What You Love thing just like everyone else. My next reaction was rage. A system of oppression exploiting mankind's hope for self-fulfillment as a sort of Trojan Horse?! Finally, I sink back into depression. Has there ever been a self-help movement that wasn't exploitative or exploited to benefit the privileged?
Be vigilant my friends.
Saturday, July 25, 2015
Beyond the Lights shows the whole picture of the violence of commodification
I recently had the opportunity to finally watch Beyond the Lights (Thanks Netflix!). I was excited to watch another film starring Gugu Mbatha-Raw (from Belle) and also Minnie Driver (who rocks), and by a female writer-director (Gina Prince-Bythewood), but I sadly missed it in theatres.
In brief: Beyond the Lights follows the struggles of a young pop star, Noni, on the verge of superstardom. The film opens as she is heading towards her chance at making it big, but as just one young woman against the "intimate psychic violence of racism and sexism" (as A.O. Scott describes it so well) that the music industry inflicts upon her, Noni finds herself standing on a balcony considering suicide. It is only through the intervention of a young police officer that Noni decides to try to live.
The film at its simplest is a love story between Noni and Kaz (the police officer)--- and this story is frequently rather contrived and fantastical. A.O. Scott describes it as silly in an affectionate way, but also argues that the fantasy of Noni and Kaz's relationship is part of the central project and purpose of the film. (Read his review for more.) However, it is important to note that while Kaz sparks Noni's move towards freedom and wholeness, as Minnie Driver explains in an interview: "Kaz saves her physically, but Noni saves herself."
Putting the romantic storyline aside what I found most moving, terrifying, powerful about the film was it's perspective on the music industry (the film arguably focuses more on the hip-hop/R&B industry in which Noni seems to operate, but I'm sure the criticism can apply to other genres as well). First, the film forces us to witness the overpowering, in-your-face objectification that female artists are subjected to through the music videos Noni has recently released and the photoshoots she endures. By contrasting this with the first impression we get of Noni (a talented little girl, sensitive, vulnerable and a beautiful soul with a moving voice, who loves singing and wants to make her mother proud) we get to really understand just how reductive, humiliating, sad, and violent these conditions are. These forces are so powerful in their obliteration of the artist's self and disrespectful of their talents, it is abundantly clear how Noni is so easily chewed up and destroyed by the industry that at the same time it promises to give her everything, strips her of any dignity, safety, or support.
**SPOILERS AHEAD**
In brief: Beyond the Lights follows the struggles of a young pop star, Noni, on the verge of superstardom. The film opens as she is heading towards her chance at making it big, but as just one young woman against the "intimate psychic violence of racism and sexism" (as A.O. Scott describes it so well) that the music industry inflicts upon her, Noni finds herself standing on a balcony considering suicide. It is only through the intervention of a young police officer that Noni decides to try to live.
The film at its simplest is a love story between Noni and Kaz (the police officer)--- and this story is frequently rather contrived and fantastical. A.O. Scott describes it as silly in an affectionate way, but also argues that the fantasy of Noni and Kaz's relationship is part of the central project and purpose of the film. (Read his review for more.) However, it is important to note that while Kaz sparks Noni's move towards freedom and wholeness, as Minnie Driver explains in an interview: "Kaz saves her physically, but Noni saves herself."
Putting the romantic storyline aside what I found most moving, terrifying, powerful about the film was it's perspective on the music industry (the film arguably focuses more on the hip-hop/R&B industry in which Noni seems to operate, but I'm sure the criticism can apply to other genres as well). First, the film forces us to witness the overpowering, in-your-face objectification that female artists are subjected to through the music videos Noni has recently released and the photoshoots she endures. By contrasting this with the first impression we get of Noni (a talented little girl, sensitive, vulnerable and a beautiful soul with a moving voice, who loves singing and wants to make her mother proud) we get to really understand just how reductive, humiliating, sad, and violent these conditions are. These forces are so powerful in their obliteration of the artist's self and disrespectful of their talents, it is abundantly clear how Noni is so easily chewed up and destroyed by the industry that at the same time it promises to give her everything, strips her of any dignity, safety, or support.
**SPOILERS AHEAD**
Tuesday, July 21, 2015
Recovery and our Inner Warrior Goddess
The death card is one of my favorite Tarot cards. Bordered by circles of blue lifelines, the card beautifully demonstrates the concept of letting one thing go to make way for the new. This concept is also reflected in eastern ways of thought like Feng Shui; you clear the old clutter in your home to make way for new energy and items to fill your life. Life's cyclical nature, as represented here, always inspires hope that new things are on their way.
While I am certainly glad that parts of myself and my life have died, sometimes the process of change seems eternal and excruciating. In this past year, the death card pretty much wiped my personality down to nothing (ex. anxiety and depression) and let me sit there for while. This gave me a chance for some introspection and to identify some of the ways we think when we get stuck in the mud:
Society too, as a whole, sends a message to those attempting renewal and often it is a message of hypermasculinity. Yoga guru Sadie Nardini wrote an article on this topic, noting that women often "attempt to source their ability and drive from an overly masculine prototype, instead of reviving their inner feminine to do the job." [Even I tried this tactic out!]
The difficulty with this overtly masculine approach to rebuilding is that it is inherently isolating and cold. While initially productive and intimidating, this energy serves to create more boundaries and separation from the community that is often so vital to recovery and a successful life. It is a closed-ended approach with little room for discussion, expression and connection. While our movie heroes like Wolverine certainly get the job done (with lots of exciting action scenes), they are usually devoid of personality and true friendships. Is that what we are looking for in our new selves? In my personal experience, this masculine driving energy would get me moving and out the door... but then to where? What was I going to do all on my own?
Thus, Sadie Nardini elaborates on the power of femininity and our inner warrior goddess. She writes:
Sadie concludes:
With this, we can move on and live.
![]() |
| But sometimes death is a b*&ch |
Depending on the situation and the individual, we can be stuck here from days to months to years. Even if you haven't firsthand experienced this, I am sure you knew friend or a family member who was struggling. It is often frustrating for everyone. Personally, I want to shake and yell at everything. JUST GET BETTER ALREADY.
- I am worthless (and all ten thousand permutations of this that wind around our brains).
- I just need a man, more money, the perfect job (etc) to be happy and fulfilled. (Mostly since I am worthless and can't do it myself.)
- So and so ruined my life and since I am worthless or not in control, there is nothing I can do about it.
- I am too tired change or too used to my maladaptive ways to move onto something new.
- I lack support, knowledge or resources to make a change and often I am too tired or overwhelmed to find out who can help.
Society too, as a whole, sends a message to those attempting renewal and often it is a message of hypermasculinity. Yoga guru Sadie Nardini wrote an article on this topic, noting that women often "attempt to source their ability and drive from an overly masculine prototype, instead of reviving their inner feminine to do the job." [Even I tried this tactic out!]
![]() |
| I don't need ___ or ____. I don't need anyone. I got this, I can do this on my own. |
The difficulty with this overtly masculine approach to rebuilding is that it is inherently isolating and cold. While initially productive and intimidating, this energy serves to create more boundaries and separation from the community that is often so vital to recovery and a successful life. It is a closed-ended approach with little room for discussion, expression and connection. While our movie heroes like Wolverine certainly get the job done (with lots of exciting action scenes), they are usually devoid of personality and true friendships. Is that what we are looking for in our new selves? In my personal experience, this masculine driving energy would get me moving and out the door... but then to where? What was I going to do all on my own?
Thus, Sadie Nardini elaborates on the power of femininity and our inner warrior goddess. She writes:
The end result of an integrated feminine side is completeness: full nourishment of one's life-force, passions, creativity, and relationship to Self. This provides one with the confidence and freedom to stand up and say "I don't need anyone or anything, it's true-- but I choose to want them." I choose love. I choose family, I choose these projects and I choose to keep myself close to my inner mother even as I dedicate to truth and moving toward right action, led by my inner father.Her thoughts are equally beautiful as the death card. The synthesis of the vulnerable, caring, more feminine sides of our being with the driven, meticulous "masculine" side creates a strong, raw, and authentic energy. Reaching out, connecting, expressing, nurturing... these are not weakness, but are instead powerful tools we can use to live. Often, devoting ourselves to others can pull us away from our own despair and difficulties.
Sadie concludes:
In this place, we are whole, and we are free. We refuse to play small yet we walk with humility and openness to the world's curiosities and dead ends. We allow our hearts to break because we dared to love with abandon, we gather our children and friends and lovers close and recognize that God can be found between our palms and the skin of our beloveds--and in our joy or grief alike, we thank the Universe for letting us love at all, even while we mourn the inevitable loss of all those we touch.
We are women, not men, and it's high time we learn what it means to rock who we are, and when in doubt, to simply become as incandescent as summer's first firefly in response.
With this, we can move on and live.
Monday, July 13, 2015
Why I don't wear Chanel
Ok, this post is a bit of a delayed reaction.
And ok, there are probably other reasons why I don't wear Chanel. ($$$)
But as someone who is sort of a hobbyist for fashion, I got fed up with Chanel last year.
Chanel is easily one of the most recognized, respected, and classiest, highest-pinnacle brands in fashion. It is the creme de la creme. Chanel has demonstrated over and over again that it is able to be creative, fashionable, beautiful, classic, and contemporary yet timeless.
However, for the Spring/Summer 2015 show held in October 2014, the show concluded with a tasteless, sophomoric faux feminist protest. Models paraded out one more time, carrying placards with meaningless phrases like "Make Fashion Not War" and "Féministe mais Feminine.” I was shocked to see this spectacle of highly privileged bodies playacting at the struggles of oppressed and underprivileged groups for highly select audience, elitist by design and definition. The willful ignorance, lack of sensitivity or conscience, and cold selfcenteredness (and downright display of unabashed elitism) demonstrated filled me with disgust and outrage.
And ok, there are probably other reasons why I don't wear Chanel. ($$$)
But as someone who is sort of a hobbyist for fashion, I got fed up with Chanel last year.
Chanel is easily one of the most recognized, respected, and classiest, highest-pinnacle brands in fashion. It is the creme de la creme. Chanel has demonstrated over and over again that it is able to be creative, fashionable, beautiful, classic, and contemporary yet timeless.
However, for the Spring/Summer 2015 show held in October 2014, the show concluded with a tasteless, sophomoric faux feminist protest. Models paraded out one more time, carrying placards with meaningless phrases like "Make Fashion Not War" and "Féministe mais Feminine.” I was shocked to see this spectacle of highly privileged bodies playacting at the struggles of oppressed and underprivileged groups for highly select audience, elitist by design and definition. The willful ignorance, lack of sensitivity or conscience, and cold selfcenteredness (and downright display of unabashed elitism) demonstrated filled me with disgust and outrage.
Labels:
art,
Chanel,
fashion,
Karl Lagerfeld,
protest,
Susie Bubble
Friday, July 10, 2015
Why You Should Follow the National Women's History Museum
Somehow or other I came to follow the National Women's History Museum on Facebook. I think it is one of the best social media decisions I have ever made.
The National Women's History Museum, which currently only exists online--- they are raising funds and support in order to build a physical space--- posts regularly about numerous and diverse women throughout (mostly) American history. I love stumbling upon these fascinating people as I scroll through my news feed. Sometimes the women they feature come from the recent past (1970s and onward), or even from current news and events, and other times they post about women from the early years of this country. The women come from all walks of life, races, classes, and ages. They recently featured an 11 year-old (Samantha Reed Smith)!
Through the NWHM I have learned about women like:
The National Women's History Museum, which currently only exists online--- they are raising funds and support in order to build a physical space--- posts regularly about numerous and diverse women throughout (mostly) American history. I love stumbling upon these fascinating people as I scroll through my news feed. Sometimes the women they feature come from the recent past (1970s and onward), or even from current news and events, and other times they post about women from the early years of this country. The women come from all walks of life, races, classes, and ages. They recently featured an 11 year-old (Samantha Reed Smith)!
Through the NWHM I have learned about women like:
- Amanda Theodosia James - who lived in the 1800s, patented several canning techniques, and owned and ran her own canning and preserving business--- that only hired women!
- Dr. Kazue Togasaki - a Japanese American doctor and one of the few physicians allowed to practice medicine during the internment of Japanese Americans during WWII
- Nannie Helen Burroughs - an African-American activist who in 1909 founded the National Training School for Women and Girls in Washington, D.C. to provide schooling for black students in the segregated south
Tuesday, July 7, 2015
Can it be true? Pop music celebrating healthy relationships?
I've wanted to write a post about popular music for a while, but the content eluded me. At one point I wanted to write about alternative conceptions of female beauty in music, but could only think of Queen's Fat Bottomed Girls and Jim Croce's Roller Derby Queen. Both songs are awesome, but not really enough to write a whole post about.
Then there was Jason Derulo's irresistible but horrid-when-you-actually-think-about-it Talk Dirty. Oh, and let's not forget Robin Thicke's Blurred Lines.
Most recently, as I despaired over the battered woman vibe in Ariana Grande's One Last Time, two new songs on the pop hits station (or whatever you call what Ryan Seacrest is on) blew my mind.
Given how tuned into popular culture I am, I'm probably the last person around to have found these songs. Nevertheless, I think they are deceptively revolutionary. With catchy, fun music, both songs deliver messages we don't often hear on the radio.
How often have we heard the equivalent of "Baby baby [insert phrase to indicate interest in sex]" or "baby baby I'm so in love with you", but actually this song is about me? Instead of these overused but still too common themes, both songs say "Thanks but no thanks, I already have an amazing person in my life." The singers (both male) are saying, it's not about me, its about my amazing partner. Sitting in my car, I couldn't believe it as these songs came across the radio.
And the music videos! Couples of all shapes, sizes, ages, locations, relationship types, and relationship lengths are demonstrating their pride and joy at being together! Maybe there is such a thing as progress.
Then there was Jason Derulo's irresistible but horrid-when-you-actually-think-about-it Talk Dirty. Oh, and let's not forget Robin Thicke's Blurred Lines.
Most recently, as I despaired over the battered woman vibe in Ariana Grande's One Last Time, two new songs on the pop hits station (or whatever you call what Ryan Seacrest is on) blew my mind.
OMI - Cheerleader
Andy Grammer - Honey I'm Good
Given how tuned into popular culture I am, I'm probably the last person around to have found these songs. Nevertheless, I think they are deceptively revolutionary. With catchy, fun music, both songs deliver messages we don't often hear on the radio.
How often have we heard the equivalent of "Baby baby [insert phrase to indicate interest in sex]" or "baby baby I'm so in love with you", but actually this song is about me? Instead of these overused but still too common themes, both songs say "Thanks but no thanks, I already have an amazing person in my life." The singers (both male) are saying, it's not about me, its about my amazing partner. Sitting in my car, I couldn't believe it as these songs came across the radio.
And the music videos! Couples of all shapes, sizes, ages, locations, relationship types, and relationship lengths are demonstrating their pride and joy at being together! Maybe there is such a thing as progress.
Tuesday, June 23, 2015
A Feminist Abroad: On Gaining Perspective
In my last post, I discussed my
overall feelings regarding my solo trip to New Zealand this past December.
While I’ve been meaning to write the follow-up post for weeks, I’m just now
finding the time to do so. It’s also a great time for me to write about one of
my favorite parts of my trip: gaining alternative perspectives. I’ll apologize for the length of it now.
For as long as I can remember, I’ve been frustrated with my brain. It’s something I can never escape. I can never turn it off. I can only see and experience life the way my brain allows me to do it. Going to New Zealand was not only a great opportunity for me to grow as a person, but to also talk with people, and get an idea of what life looks like through the eyes of someone else. What their daily lives involve. How we ended up in the same place at the same time. There were numerous moments/conversations that I had while on my trip that I wish I could relive over and over in my head. They’re moments that I pull up in my mind when I need to be reminded why I work hard at my job and save up my vacation time to use in large chunks. I do it so I can escape not just from my cube and all the stress and monotony of my daily work, but to escape everything that is comfortable to me, to talk to people, to ask questions, to sit and just listen to someone else’s life experiences, to understand how they experience their lives.
For as long as I can remember, I’ve been frustrated with my brain. It’s something I can never escape. I can never turn it off. I can only see and experience life the way my brain allows me to do it. Going to New Zealand was not only a great opportunity for me to grow as a person, but to also talk with people, and get an idea of what life looks like through the eyes of someone else. What their daily lives involve. How we ended up in the same place at the same time. There were numerous moments/conversations that I had while on my trip that I wish I could relive over and over in my head. They’re moments that I pull up in my mind when I need to be reminded why I work hard at my job and save up my vacation time to use in large chunks. I do it so I can escape not just from my cube and all the stress and monotony of my daily work, but to escape everything that is comfortable to me, to talk to people, to ask questions, to sit and just listen to someone else’s life experiences, to understand how they experience their lives.
One of my biggest concerns before my trip had nothing to do with the fact that I was traveling alone, or that I was going somewhere unfamiliar. After twice choosing to attend out of state colleges in locations where I didn’t know a single soul to get both of my degrees, going somewhere new and alone wasn’t out of the ordinary. My biggest concern was regarding my nationality. I had always heard (and to be honest, assumed) that Americans have a pretty terrible international reputation. The stereotypes of ignorant American tourists have to come from somewhere, and I didn’t want to fall into that trap. However, I’m not one to rely on stereotypes as a main source of information about some topic or another, so I took the opportunity to ask people what they thought of Americans/the US when the opportunity arose.
The first chance I had to ask someone about this was on my flight from San Francisco to Auckland. I sat next to this incredibly friendly girl who was returning home to New Zealand after being gone for 11 months, traveling and volunteering her way across the globe. My guess is that she was around my age, and had seen and experienced so much in her time abroad. We began to talk as we filled out our papers to go through customs, and I’m very glad we did. I had asked her what had brought her to the States in the first place, and I got much more than I expected in her response. She told me all about her travels, how she started out going to Cambodia to volunteer for 3 months, met and befriended a Canadian girl, who she then travelled with to Thailand and Nepal, then started making her way to the US to attend a wedding in South Carolina. It was her first trip to the US, and I apologized for South Carolina being the first thing she experienced. I asked her what she thought of the people, and I learned a lot from her response. She said that more than one person told her they didn’t know that New Zealand was even a country. She was asked if New Zealand was one of the “states” of Australia. She was asked if there was a bridge connecting Australia and New Zealand (a bridge, she noted, that would span over 400 miles of the most treacherous ocean waters on the planet). Worst of all, she said that she hadn’t realized how many Americans lived inside of their own bubble, and she was surprised so many people were so ignorant of what was happening in the world beyond the US borders. I can’t argue with her. For example, comedian John Oliver regularly enjoys playing a geography game on his show, Last Week Tonight, when he discusses South American countries. He’ll mention a country, such as Paraguay, and highlight it on a map. Except he intentionally has the incorrect country highlighted, and jumps around before landing on the correct country. Most people I talk to that watch this show usually don’t know that these countries even exist before John Oliver discusses them. How are we supposed to know what’s going on in the world, if most people don’t even know that Togo is an actual country in Africa? For the first time on my trip, and certainly not the last, I felt embarrassed for all of those ignorant people this poor girl had the misfortune of running into. I was only able to talk to this girl for about fifteen minutes or so before we both got off the plane and went our separate ways, but it was a very eye-opening conversation.
Once I made it down to Queenstown to meet up with my tour group (I was late, thanks to some flight delays in Chicago), I was picked up by a tour guide named Vanessa, and driven 3 hours up the New Zealand countryside to be dropped off at a hotel. Later on, during the last night of my trip, we were each asked to discuss our favorite part of the trip. Looking back now, I’m pretty sure that my ride with Vanessa was my favorite part. For about an hour, we made polite small talk. She asked about my story, why I was late, and I told her. I told her where I was from and how long I was staying in New Zealand. Then we stopped to eat lunch, and that’s when everything changed. I was relatively jet-lagged, since I had just spent the previous 14 hours or so on planes, so I had no filter. As I sat eating a lunch that Vanessa was kind enough to buy me, I straight up asked her what her perception and opinions of Americans as a whole were. It turns out that her stepmother was from Seattle, and Vanessa’s opinion of Americans was largely based on her experiences with her. For the rest of the ride up to my hotel, we discussed Americans, American politics, New Zealand politics, and general global issues. I remarked on how clean New Zealand was, and how friendly people seemed to be. She told me, without hesitation, her stances on various issues and her honest opinion of the US and its citizens and her plans to come and travel across the country and see it for herself. By the time she dropped me off, I was exhausted and delirious and desperately in need of a shower, but I also felt like I had just met and made a new best friend. Apparently Vanessa enjoyed my company as well, since she gave me both her cell phone number and her family’s phone number, since they lived on the north island and would be able to help me should I run into trouble after striking out on my own. To this day, I’m still a little sad that Vanessa wasn’t one of my actual tour guides for the rest of the week, even though the two I had were fantastic.
I could go on and on about the people I was able to talk with during my trip. There was Ken, the native Minnesotan living and working in Singapore, always good for stories about what it’s like to be living somewhere so different than the place you grew up. There was Dave from California, another young person traveling alone like me with very interesting world views. There was the newlywed couple from Washington State, always willing to refill my water bottle or share bug spray or tell story after story after story. There was Paul, the successful businessman from England, who always had a fun joke or story to tell, but who would also talk politics with you until there was nothing left to say. There were the tour guides themselves, full of stories about life in New Zealand and working in Australia or on cattle farms, or attending university. There was the gentleman I spoke with while waiting in San Francisco for our flight to Auckland to board, who was full of helpful advice and information. There was the grandmother who was next to me in the gate as I waited to return to the States, excited to visit friends and family in Florida. I feel incredibly lucky and grateful to have had the opportunity to meet each and every individual mentioned here, and more that I didn’t. I learned so much about them, and myself, and received many reminders to stop and try to view things through someone else’s eyes. I was reminded to not worrying about telling my own stories, but to listen to other people’s stories. It’s something that I am still working to do.
Sunday, June 7, 2015
Tampon Discourse!
Yes, I am writing about tampons, again. In my defense, there were THREE tampon-related articles in The Atlantic this past week and I couldn't let that pass without a blog post. The articles covered a lot of ground and are worth a read, but themes surrounding menstruation's negative associations stood out. Here are a few highlights:
Millions of people use tampons (and other feminine hygiene products) on a daily basis, but we rarely talk about them. Shrouded in mystery, tampons are
Despite these misgivings, tampons grew increasingly popular, but the product marketing always emphasized how "the products are feminine and diminutive, of medical origins, or allow women a 'little white lie' that conceals menstruation." There were also cultural differences in adoption, with Europeans embracing tampons without applicators, while US customers found that approach too unhygienic.
By the 1970s, "a small feminist movement had begun to publicly question why women should feel pressured to hide or staunch their menstruation in the first place. What was so shocking or gross or shameful, after all, about something that happened to half the world's adult population every month?" Their perspective didn't take off however . . .
Even today, tampon discretion is essential and women have hundreds of ways smuggle their feminine hygiene products to the restroom. Disgust and division persist:
There is some hope for acceptance, but not any time soon:
After both articles were published, there were enough comments that the editor compiled the discussion into a follow-up piece The Tampon Taboo: Your Thoughts. While many of the comments covered predictable territory, the discussion is heartening. I now have the Under Wraps: A History of Menstrual Hygiene Technology book on my Kindle wish list. Maybe more people do too!
The Tampon: A History-- The cultural, political, and technological roots of a fraught piece of cotton by Ashley Fetters (June 1, 2015)
Millions of people use tampons (and other feminine hygiene products) on a daily basis, but we rarely talk about them. Shrouded in mystery, tampons are
"common enough to be sold in drugstores and public restrooms all over America, integral enough to the female experience to merit its own memorable jeremiad in The Vagina Monologues . . . and yet still taboo enough to be the central prop in one of the only Fifty Shades of Grey sex scenes deemed too risque for the movie adaptation."Tampon-like items going back a few hundred years, but the tampon as we know it today originated around World War II. There were misgivings from the start.
"'For many people, there was a lot of discomfort with the idea of women touching themselves in any way in their vaginal or labia area, especially young girls,' says Sharra Vostral, the author of Under Wraps: A History of Menstrual Hygiene Technology. 'A lot of people argued that [tampon use] was not only inappropriate because it might break the hymen, but it might be also pleasurable and might be a way for girls to experience orgasmic pleasure.' Tampax's telescoping applicator made it possible to insert a tampon without the dreaded self-touching-- though it didn't do much to assuage fears of accidental virginity loss, which, despite evidence that the hymen doesn't necessarily break as a result of sex or tampon use, still persist in some parts of the world today."In addition, tampon-like approaches were associated with "women with active lifestyles (like dancers) and . . . women in 'dubious professions' of the era like acting, modeling, prostitution-- and sports."
Despite these misgivings, tampons grew increasingly popular, but the product marketing always emphasized how "the products are feminine and diminutive, of medical origins, or allow women a 'little white lie' that conceals menstruation." There were also cultural differences in adoption, with Europeans embracing tampons without applicators, while US customers found that approach too unhygienic.
By the 1970s, "a small feminist movement had begun to publicly question why women should feel pressured to hide or staunch their menstruation in the first place. What was so shocking or gross or shameful, after all, about something that happened to half the world's adult population every month?" Their perspective didn't take off however . . .
Don't Let Them See Your Tampons: What's behind the urge to keep feminine products hidden? by Julie Beck (June 1, 2015)
Even today, tampon discretion is essential and women have hundreds of ways smuggle their feminine hygiene products to the restroom. Disgust and division persist:
"Many religions have historically dubbed menstruating women 'unclean' and secular shame abounds as well. . . Menstrual etiquette requires that women hide the fact of their periods . . . In one study, people had worse impressions of a woman who dropped a tampon [unopened] out of her bag than if she dropped something innocuous like a hair clip, and even avoided sitting near her."
There is some hope for acceptance, but not any time soon:
"Efforts to destigmatize menstruation are becoming mainstream . . . But taboos don't change that quickly. If there's a chance open-carrying a tampon in public will only get some disrespect, maybe she'll think it's better to keep it up her sleeve-- literally."
After both articles were published, there were enough comments that the editor compiled the discussion into a follow-up piece The Tampon Taboo: Your Thoughts. While many of the comments covered predictable territory, the discussion is heartening. I now have the Under Wraps: A History of Menstrual Hygiene Technology book on my Kindle wish list. Maybe more people do too!
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