Showing posts with label drunk history. Show all posts
Showing posts with label drunk history. Show all posts

Tuesday, February 7, 2017

Drunk Historians for the Win!

Back in July 2016, I told you about the television show Drunk History on the Comedy Central network.  To recap,
The show's creator gets a storyteller drunk and the storyteller then attempts to tell the audience an interesting story about a historical figure or event.  As the story unfolds, a team of actors in period costume faithfully acts out the inebriated story.  Add some low-budget special effects and some celebrity cameos and you have an entertaining (if unsophisticated) show. 
What was more relevant for our purposes was the show's surprisingly progressive/feminist themes.  Over the course of three seasons, the show had increased the percentage of female storytellers to 42% and the percentage of woman-centered stories to around 25%, all without making a big fuss about it.  I predicted that at the current rate, Season 4 might get even closer to parity.

With Season 4 now complete with 10 episodes exploring 28 stories, how did they do?

Female Storytellers

Starting with the storytellers, I counted 17 male storytellers and 11 female storytellers across all ten episodes.  This works out to about 40% female storytellers across the season, roughly equal to the representation in Season 3.  No increase, but not too shabby.

Stories About Women

Turning to the stories themselves, I counted 11 stories featuring a woman (or several women) in a significant way (see the list below).  This amounts to about 40% of the Season 4 stories!  Remember, Seasons 2 and 3 averaged only about 25% stories with a female focus.  The fourth season gave us more that 50% more stories about women!!


But, Wait! There's More!


As if 50% more stories about women wasn't enough, the show's creators added an interesting new feature to the fourth season. As the episodes progressed, I noticed that many of the background and supporting roles were performed by the show's female cast in trouser or pants roles.  For example, business man no. 2 would be a woman wearing a suit and mustache.  Or Shakespearean actor no. 3 would be a woman in men's garb.  At first I thought they were just short-staffed on those filming days, but it happened enough to seem intentional.

Then it happened . . . Episode 9 "Hamilton" featuring a very drunk Lin-Manuel Miranda.

The Hamilton-Burr story goes way back to the show's beginnings as a web-series, so I was a little surprised they were tackling it again.  But this time you have Lin-Manuel Miranda and an entire episode devoted to the two men and their relationship.  You also have both Hamilton and Burr played by women.  That's right, female founding fathers.  BOOM!

Did I mention that this show is hosted by drunk people?  Where is the rest of the entertainment industry?!  Probably hiding with embarrassment because they're so far behind the times.  Would they have cast women to represent the founding fathers?  I don't think so.  They couldn't even imagine casting Asian-American actor John Cho as Shakespeare (episode 8).  Oh, yeah, Drunk History did that too.

Drunk historians for the win!

Thursday, July 21, 2016

Drunk Feminist History

After spilling 1,850 words in my last post lambasting Conan O'Brien for his awful sexist video game reviews, I feel obliged to highlight some surprisingly feminist entertainment to restore balance to the Dropout blog.

While we hold our feminist principles sacred, not all entertainment needs to offer sophisticated social commentary.  I love watching feminist comedy shows like Inside Amy Schumer, but sometimes I just need to turn off my brain and be entertained.  Comedy Central's Drunk History, surprisingly, fills this niche very well.

As the title suggests, Drunk History doesn't provide sophisticated, highbrow entertainment.  The show's creator gets a storyteller drunk and the storyteller then attempts to tell the audience an interesting story about a historical figure or event.  As the story unfolds, a team of actors in period costume faithfully acts out the inebriated story.  Add some low-budget special effects and some celebrity cameos and you have an entertaining (if unsophisticated) show.  [Note: The UK has its own version of this show, based on the US version for once.]

One might not expect particularly progressive or feminist themes given the show's dependence on drunkness, but I've been pleasantly surprised on two fronts.

Female Storytellers

First, the show includes a surprising number of female storytellers.  In the show's first incarnation as a Funny or Die series, 2 of the 8 storytellers (25%) were women.  This ratio stayed the same in Series 1 on Comedy Central (2013); 6 of the 24 storytellers (25%) were women.  Season 2 (2014) saw the ratio increase to 30%, with 9 of 30 storytellers being women.  Season 3 (2015) increased the representation even further to include 15 women among the 36 storytellers (42%).  At this rate, Season 4 might easily have 50% female representation among its storytellers.

Stories About Women

Second, an increasingly large minority of the stories focus on women.
[Full episodes for seasons 1-3 are available behind a paywall on Hulu.]

Funny or Die Series: 1 woman's story out of 8 total stories (13%)
Season 1: 4 women's stories out of 24 total stories (17%)
Season 2: 9 women's stories out of 33 total stories (27%) 
Season 3: 8 women's stories out of 36 total stories (22%) 
If the trend continues, we can expect roughly one in four stories in Season 4 to focus on women.

This isn't 50/50 representation, but the show does a nice job including entertaining stories, voices, and performances from women without making a big fuss about it.  It's just what they do.  If I wasn't a feminist blogger I probably wouldn't have noticed I wasn't getting 100% white male stories.  (The show also makes a point to regularly include stories highlighting minority groups.)

Ultimately, this silly show makes me wonder why more media products don't do more to present women's stories.  If a show full of drunk people can do the right thing by women and minorities and be successful, it can't be that hard. (I'm looking at you Conan.)